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Samuel David Luzzato : ウィキペディア英語版
Samuel David Luzzatto

Samuel David Luzzatto ((:ˈsamwel ˈdavid lutˈtsato); (ヘブライ語:שמואל דוד לוצאטו)) was an Italian Jewish scholar, poet, and a member of the Wissenschaft des Judentums movement. He is also known by his Hebrew acronym, Shadal (שד"ל).
Luzzatto was born at Trieste on 22 August 1800 (Rosh Hodesh, 1 Elul, 5560), and died at Padua on 30 September 1865 (Yom Kippur, 10 Tishrei 5626). While still a boy he entered the Talmud Torah of his native city, where besides Talmud, in which he was taught by Abraham Eliezer ha-Levi (), chief rabbi of Trieste and a distinguished pilpulist, he studied ancient and modern languages and science under Mordechai de Cologna, Leon Vita Saraval, and Raphael Baruch Segré, whose son-in-law he later became. He studied the Hebrew language also at home, with his father, who, though a turner by trade, was an eminent Talmudist.
==Early ability==

Luzzatto manifested extraordinary ability from his very childhood, so that while reading the Book of Job at school he formed the intention to write a commentary thereon, considering the existing commentaries to be deficient. In 1811 he received as a prize Montesquieu's "Considérations sur les Causes de la Grandeur des Romains," etc., which contributed much to the development of his critical faculties. Indeed, his literary activity began in that very year, for it was then that he undertook to write a Hebrew grammar in Italian, translated into Hebrew the life of Aesop, and wrote exegetical notes on the Pentateuch (comp. "Il Vessillo Israelitico," xxv. 374, xxvi. 16). The discovery of an unpublished commentary on the Targum of Onkelos induced him to study Aramaic (preface to his "Oheb Ger").
At the age of thirteen Luzzatto was withdrawn from school, attending only the lectures in Talmud of Abraham Eliezer ha-Levi. While he was reading the "'Ein Ya'aqob" by Jacob ibn Habib, he came to the conclusion that the vowels and accents did not exist in the time of the Talmudists, and that the Zohar, speaking as it does of vowels and accents, must necessarily be of later composition. He propounded this theory in a pamphlet which was the origin of his later work "Wikkuaḥ 'al ha-Ḳabbalah."
In 1814 there began a most trying time for Luzzatto. As his mother died in that year, he had to do the housework, including cooking, and to help his father in his work as a turner. Nevertheless, by the end of 1815 he had composed thirty-seven poems, which form a part of his "Kinnor Na'im," and in 1817 had finished his "Ma'amar ha-Niqqud," a treatise on the vowels. In 1818 he began to write his "Torah Nidreshet," a philosophico-theological work of which he composed only twenty-four chapters, the first twelve being published in the "Kokhebe Yiẓḥaḳ," vols. xvi.-xvii., xxi.-xxiv., xxvi., and the remainder translated into the Italian language by M. Coen-Porto and published in "Mosé," i-ii. In 1879 Coen-Porto published a translation of the whole work in book form. In spite of his father's desire that he should learn a trade, Luzzatto had no inclination for one, and in order to earn his livelihood he was obliged to give private lessons, finding pupils with great difficulty on account of his timidity. From 1824, in which year his father died, he had to depend entirely upon himself. Until 1829 he earned a livelihood by giving lessons and by writing for the "Bikkure ha-'Ittim"; in that year he was appointed professor at the rabbinical college of Padua.

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